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Saturday, July 4, 2009

Acoustic Guitar Lessons DVD: Private Lessons At Home

By Johnathan Jones

In this essay, I am going to apply a number of the Principles of Correct Practice to a technical area that is of major concern to players. For beginners, it poses one of the most challenging difficulties, and an incomplete appreciation of it's difficulties dogs many an advanced player (sometimes without them being aware of it).

Of course you will be working on many guitar skills: various guitar techniques, chords, scales, soloing, etc., but don't neglect other skills that are not guitar specific like, ear training (also called aural skills), songwriting, improvising, creativity, reading, music theory, etc.

Here is a simpler scenario for beginning players. Perhaps you suffer from the common complaint of not being able to change chords smoothly so you can sing that old favorite of yours without feeling like a new driver learning to drive a stick shift (go, stall, go, stall, etc.)

Turn your musical frustrations into an asset in the form of a motivating force. I wrote a whole article called Musical Frustration. I don't want to repeat here everything that I wrote in that article, so read it if you haven't already. If you have read it, it may be worth your time to read it again now.

The sculptor visualizes what he/she wants to create. The act of carving away at the raw material is a form of "destructive creation". In the beginning there is only a block of marble, stone or wood. The sculptor must remove all the material that is not needed so that only the finished sculpture remains!

Staying with that feeling positions you in the best possible way for being able to see what your obstacles to growth really are. As soon as you think you are "complete" in some way as a guitarist, you will be unable to see your own weak spots.

Stevie Ray Vaughn never learned to play fusion or metal. Great country players usually don't study Progressive Rock. Of course there are examples of players that do learn and play in more than one or two styles, but most of the really great guitarists are known for the style they focussed on.

They are masters of their style, they are specialists, not a jack-of-all-trades type of player. Don't listen to people who say something like, You must learn blues before you can learn heavy metal or classical guitar.You do not have to be well rounded. - 18418

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