Opera Glasses " High Fashion, Spyware Or Optical Instrument?
If it wasn't for the Dutch optician Hans Lipperhey, we might not have had either binoculars or opera glasses today. He first started manufacturing simple binoculars in 1608. These were not much more than two telescopes connected by a central bridge, but they led to many further modifications and improvements. His early binoculars had a magnification capability of x3. Within less than a year the Italian mathematician and inventor Galileo Galilee made another drastic stride forward by increasing the magnification ability of telescopes to x30.
Initially binoculars had one major drawback: Although they allowed for a much wider field of view, they used two convex lenses, which inverted the image! It took more than 100 years for the next major step forward: in 1617 Anton Schyrle constructed binoculars with an additional lens that re-inverted the image. More than--0 years later a certain John Dollond of England started manufacturing achromatic (color-free) lenses and with that solve another problem bugging binoculars - that of color distortion.
The next step forward was made when an Italian gunnery officer by the name of Ignazio Porro developed prismatic binoculars during the '50s. These offered an even wider field of vision than earlier binoculars and also a drastically improved magnification ability.
We don't find any mention of opera glasses in the printed media before the 1730 - in London. These rather primitive opera glasses were not binoculars - they were mini-sized Galilean telescopes. People used them for decorative purposes as much as to watch opera. The bodies were mostly highly decorated with numerous gems, enamel, mother of pearl and ivory.
It wasn't until 23 in Vienna that we first find mention of binocular-type opera glasses. These were in fact simply two small telescopes with a bridge connecting them. The telescopes had to be focused individually by extending the tubes.
They proved to be very popular, however, and quickly became items of high fashion. The designs were so elaborate that one often would find both a painter and a goldsmith working on the end product. They were used as much to impress people as to watch opera - not to mention scrutinizing other opera goers to see if their opera glasses were perhaps more fashionable than yours!
The design soon improved to allow for the simultaneous adjustment of both lenses. This was another major step forward and only served to increase the popularity of this type of glasses. They also became highly valued gifts - as one can see from the inscriptions found on many opera glasses of the time.
Nowadays there is a wide array of opera glasses available. You can get them in virtually any color you want. They come in many different styles and materials. Strangely enough, monoculars are still popular, as are opera glasses with handles or reading lights. You even get them fitted with a jealousy glass - so you can watch another person in the audience without being seen! - 18418
Initially binoculars had one major drawback: Although they allowed for a much wider field of view, they used two convex lenses, which inverted the image! It took more than 100 years for the next major step forward: in 1617 Anton Schyrle constructed binoculars with an additional lens that re-inverted the image. More than--0 years later a certain John Dollond of England started manufacturing achromatic (color-free) lenses and with that solve another problem bugging binoculars - that of color distortion.
The next step forward was made when an Italian gunnery officer by the name of Ignazio Porro developed prismatic binoculars during the '50s. These offered an even wider field of vision than earlier binoculars and also a drastically improved magnification ability.
We don't find any mention of opera glasses in the printed media before the 1730 - in London. These rather primitive opera glasses were not binoculars - they were mini-sized Galilean telescopes. People used them for decorative purposes as much as to watch opera. The bodies were mostly highly decorated with numerous gems, enamel, mother of pearl and ivory.
It wasn't until 23 in Vienna that we first find mention of binocular-type opera glasses. These were in fact simply two small telescopes with a bridge connecting them. The telescopes had to be focused individually by extending the tubes.
They proved to be very popular, however, and quickly became items of high fashion. The designs were so elaborate that one often would find both a painter and a goldsmith working on the end product. They were used as much to impress people as to watch opera - not to mention scrutinizing other opera goers to see if their opera glasses were perhaps more fashionable than yours!
The design soon improved to allow for the simultaneous adjustment of both lenses. This was another major step forward and only served to increase the popularity of this type of glasses. They also became highly valued gifts - as one can see from the inscriptions found on many opera glasses of the time.
Nowadays there is a wide array of opera glasses available. You can get them in virtually any color you want. They come in many different styles and materials. Strangely enough, monoculars are still popular, as are opera glasses with handles or reading lights. You even get them fitted with a jealousy glass - so you can watch another person in the audience without being seen! - 18418
About the Author:
Jeff B. has always loved the theater and opera, he currently helps run an opera glasses retail site where they sell opera glasses. Including Opera Glasses with handle, flashlight, chain and more!
posted by X - Men at
12:06 AM
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